Az ELLE konferencia programja

Friday, 13 September 2013

8.00 - 9.55

REGISTRATION

10.00-10.25

         OPENING ADDRESS, SHAKESPEARE ROOM

Shakespeare room

Teaching language and culture

Chair: Arjen de Korte

Room Sz34

Identity construction/ Multiculturalism

Chair: Enikő Maior

10.30-10.50

Judit Nagy

The Canadian Reader Series as a means of presenting culture-related material in the English classroom

Georgiana-Elena Dilă

The different shades of multiculturalism balanced in Louise Erdrich’s Love Medicine

10.50-11.10

Johan van Wijk

What’s wrong with my English teaching? About the strengths and weaknesses of today’s teachers of English

Titus Pop

Linguistic hybridity in Amitav Gosh's Ibis trilogy

11.10-11.30

Éva Zsák

Intercultural communication and language teaching

Attila Kárai

Writing literary history and the minority literature recovery projects: Two case studies in Chicana/o fiction

11.30-11.50

Roland Csanálosi

The position of translation in foreign language teaching - Ally or Enemy?

Florentina Anghel

Memory, imagination, and identity in Martin McDonagh’s The Pillowman

11.50-12.10

Arjen de Korte

Structured input – a better way of teaching grammar?

Enikő Maior

The question of identity in Gary Shteyngart’s Super Sad True Love Story

12.10-12.25

COFFEE BREAK

Shakespeare room

Language studies

Chair: Granville Pillar

Room Sz34

Dystopia

Chair: Antonia Pâncotan

12.25-12.45

Alexandra Fodor

Collocations with ‘if’ in academic writing

Rinalda-Sorana Fărăian

V for Vendetta as a dystopian work

12.45-13.05

Csaba Csides

A typology of English consonant clusters

Mihaela Prioteasa

Nihilism and myths in Margaret Atwood’s The Year of the Flood

13.05-13.25

Granville Pillar

A neuroscientific perspective of language processing in transforming input into intake

Antonia Pâncotan

The dystopian world of the innocent in Peter Shaffer’s Shrivings

13.25-14.55

LUNCH

Shakespeare room

Gender studies / Feminism

Chair: Giulia Suciu

Room Sz34

Literary studies

Chair: Borbála Bökös

15.00-15.20

Simuţ Ramona

Poe’s masculine work The Man of the Crowd in Hélène Cixous’ feminist reading

Janina Vesztergom

“Ambivalent Parody”: The question of genre in Julian Barnes’s Flaubert’s Parrot

15.20-15.40

Zsófia Kulcsár

The representation of young (career) women in ‘chick flicks’

Pál Hegyi

The shape of the invisible

15.40-16.00

Theodora-Eliza Văcărescu

“Women’s bodies as a battlefield: Genital excisions seen through the eyes of the Other”

Borbála Bökös

Intermedial flânerie in Paul Auster’s Leviathan and Sophie Calle’s Double Game

16.00-16.20

Giulia Suciu

The image of women in Romanian newspapers: Myths and Reality

16.20-16.35

COFFEE BREAK

Shakespeare room

American literature

Chair: Teodor Mateoc

Room Sz34

British literature

Chair: Magda Ajtay-Horváth

16.35-16.55

Beian Liana

The Pathology of the infanticide in Toni Morrison’s Beloved: Is Sethe a martyr or not?

Peptan Tania Cristina

Ethical implications of literature in Martin McDonagh’s The Pillowman

16.55-17.15

Dennis Leavens

The Interpreter, the Rage for Order, and The The

Csaba Maczelka

Literary theory in Thomas More’s Utopia

17.15-17.35

Andreea Popescu

Rites of passage in Washington Irving's Stories

Eszter Tory

Courage to believe: Julian Barnes’s Staring at the Sun

17.35-17.55

Dan H. Popescu

"Freud Was the Enemy"

Irina-Ana Drobot

A different Virginia Woolf: Her first "novel”

17.55-18.15

Teodor Mateoc

William Faulkner - Fifty years of posterity 

Magda Ajtay-Horváth

The Thirteenth novel

(Humour and wisdom in David Lodge’s Deaf Sentence)

19.30

BUFFET DINNER PARTY

MUSICAL PERFORMANCE

Saturday, 14 September 2013

10.00-11.30

Plenary lecture

CHRISTOPHER BIGSBY

The Image of the City

SHAKESPEARE ROOM

11.30-11.45

COFFEE BREAK

Shakespeare room

American drama

Chair: Lenke Németh

Room Sz34

British literature

Chair: Julianna Borbély

11.45-12.05

Boróka Prohászka-Rád

„I want to make trouble” – Subjectivity and language in Edward Albee’s Me, Myself and I

Andrea Nagy

Sorrow and vengeance in Old English poetry

12.05-12.25

Gabriella Varró

The figure of the father in Sam Shepard’s The Late Henry Moss

Éva Zsák

The Anglo-Saxon hall as a socio-cultural organising and cohesion force

12.25-12.45

Bence Ádám

Coming full circle – Sam Shepard’s return to Oedipus

Rudolf Nyári

The displaced daughter in Charles Dickens’s Dombey and Son

12.45-13.05

Lenke Németh

On the margins of American culture: Suzan-Lori Parks’s Topdog / Underdog and Sam Shepard’s True West

Julianna Borbély

The power of voiceover in film adaptations: fusion of main character and narrator

13.05-14.35

LUNCH

Shakespeare room

Language studies

Chair: Ágoston Tóth

Room Sz34

Cultural studies

Chair: Yıldıray Çevik

14.40-15.00

Hajnalka Izsák

Emotion idioms

Péter Gaál-Szabó

Reinhold Niebuhr’s political realism and Martin Luther King’s philosphy of coercion

15.00-15.20

Andrea Csillag

English, Russian and Hungarian metaphors of morality and immorality

Ottilia Veres

J. M. Coetzee's Waiting for the Barbarians as a colonial Oedipus

15.20-15.40

Ágoston Tóth

How similar: Word similarity judgments for English and Hungarian

Yıldıray Çevik

(Dis)Identification with ‘Perils’ in Doris Lessing’s The Grass is Singing